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(On Monday the 9th, she will appear alongside showings of may not initially seem to have much in common with Gerwig’s fleet tale of girlhood, but it should be fascinating to watch Chantal Akerman’s classic through the lens of a young woman filmmaker operating in a more straightforward mode.The pains and pleasures of onstage performance are also addressed, with screenings of Bob Fosse’s sparkling tour de force The Southern California foursome Joyce Manor began their career as a hardcore band, slid into pop punk territory, and are now playing something close to indie pop.

A gifted teacher and recent winner of a Lortel Award for choreographing On the excellent recent album Always Foreign, the lead songwriter of The World Is a Beautiful Place & I Am No Longer Afraid to Die, David Bello, is forced to take a long, hard look at what’s going on around us.But as its sound has shifted, the band has maintained its foundational knack for catchy songwriting and absorbing performances, complete with sing-alongs that inspire its teenage fans. beatmaker Mndsgn has been known for his intricate, jazzy productions, along the lines of Flying Lotus.They’ll play here with another So Cal favorite, Wavves, whose bratty garage pop continues to attract a certain brand of disaffected youth. Until last year, that is, when he released Body Wash, an album of productions featuring chilled-out Eighties synths and funky beats.Put on by the Brooklyn art collective Alt Esc, No Vacancy features plenty of local favorites, from the Weird internet deep-diver Jacob Ciocci to the multimedia 3-D-printing aficionados MSHR.In addition to the exhibit, the cavernous top floor will host one hell of an opening party, featuring antagonistic dance music from GHE20G0TH1K’s False Witness and Discwoman’s Bearcat.The record harkens back to Anderson’s work with her old project, Gowns, in which she chronicled the lives of burned-out junkies and nihilistic youth in suburban South Dakota, where she grew up.

Through searing critiques like “33 Nihilistic and Female” and “Aryan Nation,” she shines a light on some of our country’s darkest corners, and, in the process, gives us strength to survive these frightening times.

Patiently, dances a Charleston of mid-’90s hacky bullshit, garnished with hair gel, fancy new slang, and reliable public transportation in Los Angeles.

But if the packaging seems quaint, the film derives great power from carefully aligning the concerns of its characters with larger philosophical questions that remain no less thorny today.opening in theaters, the multitalented Greta Gerwig has programmed a series of thirteen cinematic “footnotes” at the Quad (running through the 9th), with the actress and director in person at select screenings.

Anderson will headline an excellent lineup including electropop project the Blow and noise rockers Gold Dime.

—This weekend, the third iteration of the art event No Vacancy will take over the top two floors of an unused former apartment building in Bushwick.

Her newest release, Just Give In / Never Going Home, is everything you could want in a collection of pristine dreampop, her melancholy lyrics blending perfectly with background harmonies over wistful guitar riffs.