Dating face online portrait post
Experts universally agree it is based on Leonardo’s portrait of Mona Lisa.
The second, commissioned by Giuliano de Medici circa 1513, without the flanking columns, would have been sold by Salai to Francis I in 1518 and be the one in the Louvre today.In response to the announcement of the discovery of this document, Vincent Delieuvin, the Louvre representative, stated "Leonardo da Vinci was painting, in 1503, the portrait of a Florentine lady by the name of Lisa del Giocondo. Unfortunately, we cannot be absolutely certain that this portrait of Lisa del Giocondo is the painting of the Louvre." In French, the title La Joconde has the same meaning.Before that discovery, scholars had developed several alternative views as to the subject of the painting.The theft was not discovered until the next day, when painter Louis Béroud walked into the museum and went to the Salon Carré where the Mona Lisa had been on display for five years, only to find four iron pegs on the wall.Béroud contacted the head of the guards, who thought the painting was being photographed for promotional purposes.The title of the painting, which is known in English as Mona Lisa, comes from a description by Renaissance art historian Giorgio Vasari, who wrote "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife." Mona in Italian is a polite form of address originating as "ma donna" – similar to "Ma’am", "Madam", or "my lady" in English. The title of the painting, though traditionally spelled "Mona" (as used by Vasari Vasari's account of the Mona Lisa comes from his biography of Leonardo published in 1550, 31 years after the artist's death.
It has long been the best-known source of information on the provenance of the work and identity of the sitter.
) is a half-length portrait painting by the Italian Renaissance artist Leonardo da Vinci that has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world".
The painting is thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel.
During the Franco-Prussian War (1870–71) it was moved from the Louvre to the Brest Arsenal.
During World War II, the painting was again removed from the Louvre and taken safely, first to Château d'Amboise, then to the Loc-Dieu Abbey and Château de Chambord, then finally to the Ingres Museum in Montauban.
Leonardo's assistant Salaì, at his death in 1524, owned a portrait which in his personal papers was named la Gioconda, a painting bequeathed to him by Leonardo.