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His version of Wonder Woman was meant to be sexually provocative, educational, and appealing to men and women alike.Marston lived with two bisexual women in a polyamorous relationship, so he was always very aware of Wonder Woman’s potential lesbian audience.

William Marston, her creator, believed that female sexual oomph could lead both men and women to matriarchal utopia.Fascinated by the country, spent her nights and weekends traveling the country in search of stories.While visiting the country’s numerous beautiful beaches, Ama was struck by the many older European women she saw carousing with young Kenyans.Later feminist fans of Marston’s comics have struggled to reconcile Marston’s positive messages — the issue where Wonder Woman becomes president, the many celebrations of female athletes — with the comics’ most openly erotic elements.Gloria Steinem, who edited a collection of comics in 1972, simply omitted the sexual themes altogether.Poison (Elena Anaya), is badly scarred and hides her face.

In a scene where Steve flirts with her, her villainy is obliquely linked to sexual frustration.

The film certainly doesn’t shy away from acknowledging that.

In England, men stare at her as if they’re aware she’s dropped in from another world.

” He claimed it was a “step backwards” from his own Terminator franchise, starring Linda Hamilton, who he described as “not a beauty icon.” That’s an odd thing to say.

Hamilton’s Sarah Connor is a wonderful, powerful character, but she certainly didn’t challenge Hollywood standards of attractiveness.

He was also aware of how female sexuality could be empowering, not just objectifying.