Pinay nude chica date
Filipino hip-hop or Pinoy hip hop (also known as Pinoy rap) is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans.
Rap music released in the Philippines has appeared in different languages or dialects such as Tagalog, Chavacano, Cebuano, Ilocano and English.Another Filipino hip hop artist who achieved prominence during the 1990s is the formerly Los Angeles-based DJ Andrew E (born Andrew Espiritu), whose tracks "Humanap Ka Ng Pangit" (Look For Someone Ugly) and "Makati Girl" (as done by Norman B.of Bass Rhyme Posse; the first Pinoy rap track recorded to contain beatboxing) became monster hits in the Philippines, rivaling even Francis M's previously untouchable reign on top Pinoy rap's throne.Magalona's enduring contributions to the genre would later be recognized in the All Music Guide to Hip-Hop: The Definitive Guide to Rap and Hip-Hop (2003) published by Backbeat Books; as well as in the U.S.-based hip hop publication The Source (May 2004).The other two members are Filipino-American, Ronald Jamias a.k.a. Butch and Johnny were balikbayans from the San Fernando Valley near Los Angeles, CA, Sonny a balikbayan from Hercules, CA, near the San Francisco Bay Area and Noel and Lopie native Filipinos.
In 1992, Mastaplann was signed by Universal Records, where they released two records; in 1993, their debut eponymous release, and in 1994, The Way of tha Plann.
These albums eventually obtained platinum status and are still selling worldwide.
1992 marked a turning point for Pinoy rap with the release of Francis M's influential second album, Rap Is Francis M, which is highly regarded as one of the greatest Pinoy rap albums ever.
and Andy "Luv" MD, to J "Smooth" MC, an acquaintance from Andrew's breakdancing days.
The trio would go on to form the group Pine Rhyme (for Las Piñas, the area from which they hailed), later to be renamed the Bass Rhyme Posse.
Ushering in a socially awoken wave not seen in the Philippine music industry since the heyday of Juan De La Cruz, Sampaguita and 1970s Pinoy rock, Magalona's tracks dissected the various cultural, social & political problems that plagued his country such as drug addiction in "Mga Praning" (The Addicts), political corruption and instability in "Halalan" (Election) as well as the detrimental effects of a colonial mentality to Filipino culture in "Tayo'y Mga Pinoy" (We Are Filipinos).