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Who is johnta austin dating

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Following a contentious divorce from Sony Music head Tommy Mottola, Carey adopted a new image and traversed towards hip hop with the release of Butterfly (1997).In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards and subsequently named the best-selling female artist of the millennium in 2000.

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Carey and Boyz II Men spent a record sixteen weeks atop the Billboard Hot 100 in 1995–1996 with "One Sweet Day," which is one of the longest-running number-one songs in US chart history.After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi (2005).The album became the best-selling album in the US and the second-best-seller worldwide in 2005 and produced "We Belong Together," which became her most successful single of the 2000s, and was later named "Song of the Decade" by Billboard.While Carey favored her more soulful and powerful songs, it was decided that her most popular content would be included.Days before the show's taping, Carey and Afanasieff thought of adding a cover version of an older song, in order to provide something different and unexpected.Ben came to the studio, and he really couldn't play the keyboards very well – he was really more of a drummer – but after that day, we kept in touch, and we sort of clicked as writers." Carey and Christopher began writing and composing songs in the basement of his father's store during Carey's senior year.

After composing their first song together, "Here We Go 'Round Again," which Carey described as having a Motown vibe, they continued writing material for a full-length demo.

Carey parted with Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records America.

In the weeks prior to the release of her film Glitter and its accompanying soundtrack in 2001, she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion.

As Starr's friendship with Carey grew, so did her interest in helping Carey succeed in the industry.

In December 1988, Carey accompanied Starr to a record executives' gala, where she handed her demo tape to the head of Columbia Records, Tommy Mottola, who listened to it on his way back home.

The project was poorly received and led to a general decline in the singer's career.